This year has been a busy one!



Having completed a new album

with Yusuf Islam and Gilbert O'Sullivan in the early months after Christmas, I was then

commissioned to arrange the

score to a film called "Three

Days In Aushwitz", a documentary

about the director's experiences

of visiting the camp where so many

of his relatives had perished.

Eric Clapton was asked to compose the score and Eric asked me to help put it

together. The film will be released

later this year.


Michel Polnaref was a huge pop star in his native France in the sixties and his come back album has been eagerly awaited. He contacted me and asked me to arrange and conduct the huge amount music he had written for the project which we recorded in Paris throughout May.

Recently I have worked on five tracks for legendary producer John "feldy" Feldman for a new band getting a lot of attention globally, "Five Seconds Of Summer" who are bound to score heavily in the teen market.


Producer Steve Power asked me to score three tracks for Italian superstar Laura Pausini, which we recorded in London in early June.















In the two fields in which I work, pop and film, my work process can vary from one extreme to another. As with all things, information is power, or in my case, information is the key to a successful project. When I am hired, whether as an arranger, an orchestrator or conductor, the amount of information I can get from the client will make my job harder or easier...

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a photograph of Nick Ingman

Nick Ingman is an established composer, arranger, orchestrator and conductor in the commercial music field who has worked with some of the most prestigious names in the world of entertainment.



For over forty years Nick has provided the backdrop to many iconic and high profile records and films. Often bridging the gap between the classical music field and the commercial area, Nick has brought his considerable experience to a number of successful projects. As well as working in the field, Nick's career has included starting one of the first Commercial Music Courses in the country at the Royal Academy of Music, and the number of his students who have gone on to have successful careers of their own, confirms his success as an educator.